Mozambique Island, on the northern coast of the African country of the same name, was the first place where Portuguese explorers, having rounded the Cape of Good Hope, encountered the trade networks of the Indian Ocean. At this time the island was ruled by a Muslim sheikh, with merchants using the island as a base from which to trade with the African interior or wider Indian Ocean needing his permission to do so, with all such merchants needing to be Muslims themselves. The island was quickly brought under Portuguese rule, with a Captain appointed to rule the island on behalf of the Portuguese Crown, and became a crucial stopover on the journey between Lisbon and Goa. While the Portuguese Captain in theory had control over all commerce occurring in the port, in practice many commodities were not regulated, and the island gained as a reputation as place where fortunes could be made with little interference from the Portuguese authorities.
During the Early Modern Era, beads were extensively used by European traders as a means of currency, being both a portable, high value item, and a desirable commodity which they could control the supply of. This certainly appears to have been the case on Mozambique Island, where large numbers of beads, many of them apparently derived from shipwrecks off the coast of the island, are today collected from the island's sandy beaches and made into necklaces, which are then sold to tourists.
In a paper published in the journal World Archaeology on 22 November 2024, Tânia Manuel Casimiro of História, Territórios e Comunidades at Nova University Lisbon, Yolanda Duarte of Archaeology at Eduardo Mondlane University, and Jéssica Iglésias, also of História, Territórios e Comunidades at Nova University Lisbon, present the results of an analysis of the origin of beads from Mozambique Island, and the implications of this for the history of the island.
Today, beads are collected by shovelling sand from the beaches into 25-50 kg bags and taking these to a flat, clean surface, where the sand can be sifted through for beads. No permit is needed for this activity, and no attention paid to the archaeological context of the beads by the collectors. However, some of the necklaces made by the bead-gatherers have been obtained by local people with an interest in the island's heritage, and it is from such collections that Casmiro et al. gained the beads used in their study.
Casmiro et al. examined a sample of 12 166 beads, recording the material they were made from, as well as their style. Many of the glass beads were apparently Venetian, with Venice being a major manufacturing centre for beads used as colonial trade goods from the sixteenth century onwards, although Casmiro et al. note that many 'Venetian' beads were in fact made in other European cities in imitation of the Venetian style. However, such beads are clearly of European origin, easily distinguished from Indian beads (also very common around the Indian Ocean) which tend to be carved from a mineral such as carnelian or agate. Because of the way in which the beads were obtained, it was not possible to date them by context, although it was possible to build up a limited chronology for beads from the sixteenth to nineteenth century, with a few beads coming from outside this period.
The majority of the beads (10 626) were made of glass. Most of these were of a single colour, with examples of white, black, blue, green, yellow, orange, and red beads being found, along with some which combine a several colours. These glass beads also vary greatly in shape, with tubular, oblate, cylindrical, ellipsoidal, spherical, bicone, and barrel-shaped beads all present. After glass beads, the most common were stone beads, followed by coral, shell, bone, ivory, and plastic.
The most common glass beads (7789 examples) are seed beads, small spherical beads at most a few millimetres across, which have been manufactured in Europe since at least the fifteenth century. Another common type are Green Heart Beads (540 examples), cylindrical glass beads made up of layers of different glass, with the innermost being green, giving a shimmering, multi-hued effect, which were produced in Venice between the fifteenth and eighteenth centuries.
Hudson's Bay Beads (235 examples), sometimes also known as White Heart Beads, or Cornaline d’Aleppo, were made in Venice between 1830 and the early 1900s. These again were cylindrical beads with multiple layers, this time having an inner layer of white or yellow glass.
Chevron beads (11 examples) were elongate beads made by building up multiple layers of glass onto a central star-shaped moulded cane. These beads were invented in the late fifteenth century by craftswoman Marietta Barovier of Murano, and made at a number of glassworks in Murano and Venice, and probably elsewhere, although it is not generally possible to tell where an individual bead was made.
A-Speo beads (186 examples) were made by drawing out a thick glass straw, which was then chopped into short segments. These segments were then placed on a metal rod, and placed in a furnace to melt them into a rounded shape (the name 'a-speo' derives from the Italian phrase for 'to skewer'). This technique was probably invented in Venice or Murano, but was practiced in many areas of Europe.
Skunk beads (14 examples), were made in Venice (and probably other European bead-making centres) in the eighteenth and nineteenth centuries, by adding small globules of glass to an a larger glass bead of a different colour, to give a speckled effect. These were most commonly black with added white speckles, hence the name 'skunk beads', but other colour patterns were also produced.
Tubular beads (12 examples) were first made in Venice in the fifteenth century, but due to their ease of manufacture, continued to be made at centres across Europe for the next six centuries. Padre, or Pekin Glass, beads were made in Venetian and Czech workshops in the nineteenth century, in imitation of blue glass beads from China, themselves made as a cheaper substitute for jade beads.
Millefiori beads are glass with complicated floral patterns, made since Roman times. They are manufactured by producing glass canes with a flower-shaped cross-section, which are then cut into thin slices, which are in turn incorporated within blown glass products, including beads. The name millefiori derives from the Italian for 'thousand flowers'.
Eye beads (2 examples), which superficially resemble eyes, have been made around the Mediterranean Basin, the Middle East, and South Asia for thousands of years, often as a charm against the Evil Eye. The earliest forms were made of clay, but the manufacture of glass eye beads can be traced back to about 1500 BC.
'King' or 'Golo' beads (2 examples) were made in Europe in the nineteenth and twentieth centuries as a high value trade item for African markets. There were large, striped, biconed beads which came in a range of colours, though green beads with yellow, black, and red stripes were the most common.
Dog Teeth, or ruffled beads (two examples) were made in Venice in the late nineteenth and early twentieth centuries, mostly for trade with Nigeria. These are black beads with an irregular shape, and a 'ruffle' of white marks (or 'teeth') around their centre.
A single Nueva Cadiz bead was found on Mozambique Island. These were squared, tubular beads in a distinctive blue colour, made originally in Venice for trade with the Americas, but which were subsequently made in a number of other European cities. These beads are very common at sites on the Atlantic coast of Africa, but surprisingly rare at sites on the Indian Ocean.
Bohemian beads (1147 examples) were made in the modern Czech Republic, where they developed a range of distinct techniques of their own, notably pressed glass. These beads often have vertical and horizontal lines, circular incisions, coloured bands, phytomorphic and zoomorphic decorations.
Russian blue beads (183 examples) were a distinctive type of Bohemian bead produced in the eighteenth centuries. These beads were multifaceted with six, seven, or eight sides, and typically a transparent blue, although amber, green, and clear examples are also known.
Vaseline beads (1 example), sometimes also called uranium beads because of the uranium used to tint the glass green, were large faceted of shaped beads made in Bohemia in the late nineteenth and early twentieth centuries.
Haj beads (5 examples) were made in Bohemian the early twentieth century for export to the city of Mecca, where they were sold to pilgrims, often becoming heirloom objects within their families. Two of the examples found on Mozambique Island had moon-and-star symbols, while the remaining three had the name of the Prophet Mohammed written upon them.
Dutch opalescent beads (9 examples), sometimes known as moon beads, were glass beads made to resemble pearls by adding ash to the glass, made in the Netherlands, Bohemia, Germany, and Venice, in the eighteenth and nineteenth century.
Dogon beads (187 examples) are large, chunky beads with a rough texture, which were produced in Amsterdam and possibly Germany in the seventeenth and eighteenth centuries, principally for trade with the Dogon people of southern Mali, but were also traded to other areas of Africa.
Prosser beads (9 examples), sometimes known as Kakamba Prosser Beads after a town in what is now the Republic of Congo where they were popular. These were made in the nineteenth century by a French craftsman called Jean-Félix Bapterosses, who modified a technique developed by the Prosser Brothers of London to cold-press glass and porcelain buttons, instead producing disk-shaped opalescent beads.
While the majority of the examined beads were glass, stone beads were also common, with 996 in the collection. The most abundant stone types are jet and carnelian, with agate and garnet beads also quite common. Stone beads have been manufactured around the world, which can make it difficult to determine the origin of individual beads, although most stone beads found around the Indian Ocean originate from India or Southeast Asia. This potentially makes these beads the oldest on Mozambique Island, with some examples likely to have reached the island before the first Europeans.
Three beads from Mozambique Island were identified as being of Chinese origin, although details of these are not given. China began to export large volumes of beads in the early twentieth century, something it does to this day, and has produced beads from porcelain, wood, cinnabar, cloisonné, enamelled metal, stones, and glass, among other materials.
Filigree is a form of intricate metalwork consisting of tiny beads and twisted threads soldered together, made in the Islamic world largely between the fifteenth and seventeenth centuries. Fifty five silver elements from Mozambique Island are probably derived from filigree jewellery, most likely originating from Mauritania.
Beads derived from Animal materials such as shell, bone, ivory, and coral were also quite common (469 examples), although it is difficult to assess where these came from, as these materials are available, and have been worked, across much of the globe.
Plastic beads (8 examples) are clearly of twentieth century origin, since the first plastic (Bakalite) was invented by the Belgian-American chemist Leo Hendrick Baekelandin 1909. Plastic beads are cheap and easy to manufacture, and are produced in many countries. The low number of these on Mozambique Island suggests that they may never have been a commercial import, but may have been brought to the island by people wearing them, or possibly even have floated there on ocean currents.
Finally, five items were found in the collection that probably did not start out as beads, but which had been repurposed as such. These were a black glass button or pendant, two jet buttons, a rectangular piece of jet with three diagonal incisions of unknown origin, and what appeared to be the bottom half of a Frozen Charlotte doll (a type of rigid doll, typically made out of china, made between about 1850 and about 1920, mostly in Germany for the US market).
Casmiro et al.'s study revealed the presence of a wide range of beads, made from a variety of substances, on Mozambique Island. Despite this variety, about 90% of the beads were glass, and of European origin. Glass trade beads have been considered to be powerful symbols of European colonial influence, which seems to be particularly relevant on Mozambique Island, a vital trade hub within the Portuguese Empire. The beads of the same designs as those found on Mozambique Island have been found at other sites around the world, although overwhelmingly in colonial contexts.
Glass beads were, of course, made before the fifteenth century, and it can sometimes be hard to differentiate these from later beads, but none of the glass beads found on Mozambique Island appear likely to be this old. The stone, and animal-derived, beads found on the island may date to before the arrival of Europeans in the area, although such beads continue to be made until the present day, making it hard to be certain of their age. Mozambique Island is known to have been a trading hub before the arrival of the Portuguese, but it appears to have become much more important once integrated into the global Portuguese network.
Curiously, the high abundance of European beads on Mozambique Island is in contrast to the situation in South Africa, where European beads are unusual at archaeological sites, but beads from India quite common. It has been suggested that this South African preference for Indian beads may have been established before the arrival of European traders, and that with South African customers unwilling to switch, European traders may instead have imported beads from India to cater for this market.
Casmiro et al. also note that the beads once brought to Africa by Europeans to trade for commodities such as slaves, ivory, and gold, have now taken on a new role in places such as Mozambique Island, being traded back to European tourists as a means of gaining hard currency, a much needed twenty first century trade commodity.
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